
Shamanic Art in the Twentieth Century.
Pablo Picasso
Pablo Picasso
Possibly the most influential person in Art history, Pablo
Picasso who, together with his friend George Braque, was responsible for taking
art on a ninety degree trip out of reality. It was called cubism and it hit
the art world of the early twentieth century with the force of a tidal wave.
It gave new perspectives on media being used and created new technologies
for painting and sculpture.
Since the Renaissance the relationship within art had been one of Painter-Object,
but with the advent of Cubism, the Method was elevated to the same level as
the Object, so the relationship became Painter-Method-Object and extended
further to became Painter-Method. This achievement rewrote the dictionary
on art. Artists were forced to conclude that Art existed separate to both
the Painter and the Object and after a difficult birth the concept of "Art
for Art's sake" began to emerge.
Pablo Picasso's name is not one that is usually associated with Shamanism,
but I hope to show that there are enough connections for this to be reconsidered.
Much of Shamanism went underground, so deep underground that many shamen would
pass on their knowledge without mentioning the word shaman. Information passed
from person to person through the generations without members of the tradition
necessarily having conscious knowledge of the tradition, at least until such
time as it was possible for the tradition to resurface.
At the time of Picasso, Shamanism was still very much underground and invisible,
whereas now traditions have
resurfaced and we can trace them back. One such tradition does seem to pass through Paris at the turn of the century in the Avant-Garde and Bohemian movements in which Pablo Picasso was involved. It can be seen by their shunning of the normal rules of society, their bohemian lifestyle and by the great amount of creativity of the individuals present.

1925 - Studio with Plaster Head.